If through them we seek to declare our place in the world, our confidence and belonging, we do so under a veil of deception … Dress can bind and constrain us its regulated repertoire is a bondage estranging us from truer, freer, more naked realities. And yet philosophers give them short shrift-why? “ How could we ever pretend that the ways we dress are not concerned with our impulses to desire and deny, the fever and fret with which we love and are loved? The garments we wear bear our secrets and betray us at every turn, revealing more than we can know or intend. Everyone wears clothes, which would seem to suggest that they’re important to the whole human gestalt.And, ultimately, they lack the will to betray the material sufficiently to make it true.” But because the material is so close to them they can’t mess around with it enough to learn how writing works. Until they’ve told this particular story, they feel they can’t move on. It may be a story passed on to them by their grandmother or it may be something that happened to them when they were younger. And when you’re reading it you’ll know it’s bad, and you’ll know what bad truly is … Often, the bad writer will feel that they have a particular story they want to tell. I mean a novel by someone who has spent isolated years writing a book they are convinced is a great work of literature. If you ask around, I’m sure you’ll be able to find a really bad novel easily enough. Toby Litt teaches you the warning signs: “ It’s possible that you’ve never had to read 80,000 words of bad writing.
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